Ayo Solanke: The Teen Drama Disruptor Who Redefined Chaos in Netflixs ‘Bet’

On Ayo Solanke’s Twitter, things get even less polished—and better for it. He occasionally posts character notes, often shares observations about scripts he’s reading, and rarely misses the chance to poke fun at his own industry. His tweets rarely break the internet, which is precisely the point. In an era where actors outsource their personality to PR firms, Ayo Solanke’s social media engagement with fans is refreshingly DIY. Ayo Solanke could’ve easily coasted on the buzz from Bet. But Solanke isn’t playing for comfort—he’s playing for range.

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Now pivot to Tales from the Hood 3, which lands somewhere between anthology experimentation and straight-up genre pastiche. Solanke leans into the unsettling tone here, not with overacting but with a kind of quiet dread. Ayo Solanke’s horror movie roles are rarely written to win awards, but he uses that freedom to inject a kind of specificity that’s usually lost in scream-heavy screen time. It’s not the gore that makes them effective—it’s his unwillingness to act like he’s in a horror movie at all.

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The ensemble cast is diverse, featuring Ayo Solanke as Ryan Adebayo and Eve Edwards as Mary Davis. Clara Alexandrova stars as the fierce student council president, Kira Timurov. Each character conveys depth in the storyline, reflecting complex social structures in the school.

Ryan begins the series as a believer in the school’s ruthless hierarchy, but that loyalty fades fast — especially when he finds himself aligning with Yumiko. While Ryan is inspired by Ryota Suzui from the Kakegurui manga, ayobet Ayo made a conscious effort to build a version of the character that stood on its own. Interestingly, Ayo didn’t even know what he was auditioning for at first. Like many of his castmates, his audition script used a placeholder name — “Harry” instead of Ryan — to conceal the true identity of the project.

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The new series has been developed by Simon Barry, who worked on seasons 1 and 2 of the fantasy adaptation series Warrior Nun, and will be directed by Jacquie Gould, Craig Wallace, and Joyce Wong for this season, set to consist of 10 episodes. As the owner of the biggest betting company in Nigeria, Kunle is no doubt one of the most influential people in the Nigerian sports industry today. However, the current CEO of Bet9ja betting company is Mr. Ayao Ojuroye and he’s different from the owner who is Kunle. Bet9ja like other betting companies in Nigeria is an online company that gives sports lovers in Nigeria the opportunity to place bets on various games and stand a chance to win cash if the bet is successful.

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We are also dedicated to facilitating Uganda’s legal and economic growth by providing strategic guidance to businesses and organizations across diverse industries. What else has Ryan Sutherland been in? Sutherland previously starred in Four Singles, a film about four men coping with loneliness, loss of love and social isolation. Ryan Sutherland is an actor known for playing Suki in Bet. What else has Aviva Mongillo been in? She is best known for her role as Alya Kendrick in the drama series Backstage and Juniper in Workin’ Moms.

The writers obliged, letting the actor shape the emotional rhythm of scenes that could’ve easily been swallowed by stylized excess. As a pure high-school drama Bet probably wouldn’t work that well, but the gambling games add a lot of surprising tension and excitement because they’re clearly designed as narrative devices. But the human drama mostly works, largely thanks to the cast being so up for it.

• Provided Netflix pays heed to the criticisms and stays true to the core concepts of the original manga while treating issues with care, all-out respect, and adaptation appropriateness.
• He’s not the swaggering alpha or the tormented antihero.
• Ayo Solanke is carving a spot in film and TV by refusing to blend in.
• There’s rumored involvement in a surrealist British drama, a miniseries based on a dystopian short story collection, and a recurring character in a genre-defying Canadian series currently under wraps.
• The film isn’t autobiographical, but it’s clearly personal—especially in how it toys with themes of isolation, duality, and the cyclical nature of choice.
• Having said all this the character drama is still very much present.
• Nigeria wasn’t a springboard—it was a baseline.
• Opinions expressed herein are those of the authors and not necessarily those of Analytics Insight, or any of its affiliates, officers or directors.

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The students gamble with the stipends their parents give them; anyone who falls into the red, “below the line” becomes a “housepet” to the person they owe money to. Having said all this the character drama is still very much present. These are fairly outlandish ideas to transplant into the more relatable real-world setting that the live-action treatment creates, which is probably the show’s biggest problem. It’s odd and can be a little jarring. It’s a show that takes some fairly big swings and not all of it works, but I mostly loved it and I suspect most people who aren’t worried about the accuracy of the costumes will too.

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In a school where everyone is high-gloss insanity, he walks like he’s just trying to get to math class without being decapitated. It’s not that he’s unaware of the drama; he’s just exhausted by it. That contrast gives the Bet Netflix episodes some badly needed grounding—and elevates the absurdism from cosplay to commentary. Solanke’s Ryan Adebayo isn’t the hero Netflix usually casts, and that’s precisely the point. He’s not the swaggering alpha or the tormented antihero. A student at St. Dominic’s who gambled and lost, Ryan’s role is defined by subjugation.

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The 10 part thriller stars Miku Martineau, Ayo Solanke, and Eve Edwards. Analytics Insight is an award-winning tech news publication that delivers in-depth insights into the major technology trends that impact the markets. The content produced on this website is for educational purposes only and does not constitute investment advice or recommendation. Always conduct your own research or check with certified experts before investing, and be prepared for potential losses. Opinions expressed herein are those of the authors and not necessarily those of Analytics Insight, or any of its affiliates, officers or directors.

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If the first episode is any indication, episodes will consist of one face-off after another, characters giving sneering and sniveling speeches, and lots of expositional dialogue of the type that weighed down the first episode. Last year, Netflix quietly revealed that it was diving into the anime and manga world of Kakegurui – Compulsive Gambler with a live-action adaptation that’d be helmed by the same showrunner as Netflix’s ill-fated Warrior Nun. The streamer has now confirmed that the new series will stream on May 15th globally and revealed four first looks. The supporting cast do their jobs, too. These are all likeable and engaging characters who create an interesting ensemble thanks to their varied personalities, circumstances, and motivations. There’s something almost too fitting about Solanke joining an A24 film.

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He’s not dabbling—he’s building something that could easily stand on its own. Netflix’s new hit series BET, a live-action adaptation inspired by the manga Kakegurui, has taken audiences by storm — and one of the standout characters is Ryan, portrayed by rising star Ayo Solanke. I recently caught up with Ayo for Pop Culture Unplugged, where we talked about the show’s global success, stepping into a beloved fandom, and why Ryan’s evolution is resonating with viewers around the world.

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Ayo Solanke: The Teen Drama Disruptor Who Redefined Chaos in Netflix’s ‘Bet’

Just a visual puzzle with enough thematic weight to demand more than one watch. Solanke’s dip into horror didn’t come with the glossy prestige of a Sundance darling or the PR sheen of a studio reboot. Instead, he picked roles that could’ve easily sunk under cliché—and decided to mess with them from the inside. The ensemble cast of Bet reads like an anime convention after three Red Bulls, but Solanke’s chemistry with Miku Martineau’s Yumeko is grounded, tense, and human. He’s said in interviews that their dynamic was “built off eye contact more than script cues,” and that tracks.

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The Canada chapter didn’t launch Solanke. There’s no mythology to mine here—just a kid who moved countries, swapped accents, absorbed cultures, and didn’t flinch. There’s something quietly radical about that. Just sharp, self-aware evolution—scene by scene.

And yet, Solanke gives him spine, nuance, and just enough moral discomfort to keep things interesting. Ayo says he’s heard from viewers who felt Ryan brought a more emotional and meaningful presence to the world of BET than they had seen in the source material. Laura Afelskie is a Canadian actress who plays Runa in the live-action manga adaptation. No, what annoys us about Bet is that it’s so busy being stylish that it forgets about the fact that there is a story that needs to be told.

This is because most of Bet’s high-school social dynamics are filtered through the extremely exaggerated lens of high-stakes gambling games and anime-esque stylistic flourishes. Logically, this means that several students are in considerable debt and forced to become “house pets” – in other words, slaves to the wealthier students. Let’s start with the absurdly titled Clown in a Cornfield. It sounds like a joke, but it’s not. Solanke’s performance in Clown in a Cornfield isn’t about reinventing the slasher wheel—it’s about knowing exactly when to subvert and when to commit.

An Excellent Acting Line-up for the Characters

The show offers a live-action look at the Japanese manga Kakegurui, which exposes a world of high-stakes gambling and power dynamics. Let’s have a look at what this live adaptation brings to the table and how well it has adapted elements from the original manga. Gambling is a way of life at St. Dominic’s, and the Student Council are the top winners at the school, led by council president Kira (Clara Alexandrova). They make the rules of the games played.

• Critics call him a “scene-stealer…a break‑out genius” aestetica.net.
• But Solanke isn’t playing for comfort—he’s playing for range.
• The ensemble cast of Bet reads like an anime convention after three Red Bulls, but Solanke’s chemistry with Miku Martineau’s Yumeko is grounded, tense, and human.
• On Wednesday, March 12, the Emmy-winning actress posted an Instagram Story recalling a time when she was ‘cast’ in a fake “Pirates of the Caribbean” reboot on social media, which prompted a negative response from the Tesla CEO.
• While Musk may not want Edebiri to touch “Pirates,” the actress is booked and busy enough, next starring in films “After the Hunt” and “Ella McCay,” while “The Bear” was renewed for a fourth season.

Critics and fans alike praise this emotional arc—a rare blend of vulnerability and resolve. On Wednesday, March 12, the Emmy-winning actress posted an Instagram Story recalling a time when she was ‘cast’ in a fake “Pirates of the Caribbean” reboot on social media, which prompted a negative response from the Tesla CEO. “Disney sucks,” commented on X with a repost of the false story. From creator Simon Barry, the teen drama focuses on St. Dominic’s, an elite private school where underground gambling rules the social scene. While undeniably successful in attracting attention, the adaptation has received criticism from purists in the manga audience. Some feel that by diverting from the source material, especially with character building and cultural nuances, the adaptation has never stood the rightful claim of being a legitimate one.

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• In an era when representation matters more than ever, he’s not just navigating identity, he’s defining it, scene by scene.
• It sounds like a joke, but it’s not.
• Immensely promoted for their quantizing visuals and slick cinematography, Bet was conceptualized by Simon Barry-the same mind who also gave us Warrior Nun.
• Gambling is a way of life at St. Dominic’s, and the Student Council are the top winners at the school, led by council president Kira (Clara Alexandrova).
• It’s odd and can be a little jarring.
• Ryan begins the series as a believer in the school’s ruthless hierarchy, but that loyalty fades fast — especially when he finds himself aligning with Yumiko.
• Post-Bet, Solanke could’ve easily surfed the Netflix wave into another teen thriller or franchise cash-in.

And he does it without sounding defensive or rehearsed. Which, in a digital landscape of overly managed personas, makes him far more watchable off-screen than most of his peers onscreen. He’s been open about how those early ensemble shows—where mics cut out and spotlights misfire—taught him how to listen for timing. Not just musical timing, but emotional timing.

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Plenty of actors turn to directing for control. The film isn’t autobiographical, but it’s clearly personal—especially in how it toys with themes of isolation, duality, and the cyclical nature of choice. As a director and writer, he isn’t flexing genre tricks.